Selasa, 27 Januari 2015

Stieglitz, the 291 Gallery -- homage from my Fuji X-T1

The Photo District in New York is an area around the junction of 23rd Street and Fifth Avenue in what is now considered the "Flatiron District".  I, like many New York photographers who came to the city in the latter part of the 20th century, call this area home. This is where we had our studios. This is where the pro camera stores were located to serve us, and is where many of the top ads and editorial images of the 20th century were created.

Slightly north of this area, between 30th and 31st Streets is where Alfred Stieglitz has his famous 291 Gallery from 1905-1917.

The Flatiron Building was a major skyscraper in the New York City in 1904. It had just been completed in 1902 and instantly became a defining element in the city landscape, a position it maintains even today. The building and the area around it became a magnet for painters and photographers. Two famous photographs -- one by Edward Steichen, the other by Alfred Stieglitz -- are shown below. Both were captured on a stormy winter day.

Gum bichromate over platinum print of the Flatiron Building and horse drawn cabs by Edward Steichen in 1904. 

This photo of a taxi and the Flatiron Building was taken from almost the exact location as Steichen's photo above it except that I had to move further out into the street because of the new street traffic pattern set up a few years ago. 


Photogravure print of the Flatiron Building in snow, Alfred Stieglitz, 1903.

I have worked in this area for decades. Currently, I live just around the corner from where the 291 Gallery stood -- the building demolished a long time ago and replaced with a large, non-descript edifice. Yesterday evening I went to the area where both Stieglitz and Steichen took there photos. As I stood in the exact spot where Stiechen photographed the cab drivers with the Flatiron behind it I thought about how difficult it must have been on a cold winter evening of 1904 to be there with a large, cumbersome camera on a tripod. Here I was with the latest in digital cameras, a Fuji X-T1 camera -- now thankfully weather resistant -- equipped with an 18-135mm zoom and enough vibration reduction and high ISO capability to do-away with the necessity of any tripod at all.

I walked around the park, then up Fifth Avenue to where 291 once stood, taking pictures along the way and passing dozens of smart-phone equipped pedestrians snapping away at the scene with an ease that would have left Steichen and Stieglitz scratching their heads in wonderment just over 110 years ago. 

The steeple from the Marble Collegiate Church, built in the 1850's, would have been standing at the time just a block down from the 291 Gallery. The Empire State Building would not have been there at the turn of the century, although both photographers would have been around to see it completed in 1931. 


The Flatiron Building photographed at dusk and framed by trees in Madison Square Park.


At dusk color from the lights of the Empire State Building bleed into the cloudy sky and falling snow to provide a monochromatic tone to this close up view.

Very early in the morning, around 4AM, the city took on a ghostly appearance. Passing clouds absorb the city lights providing a bright backdrop for this abandoned scene taken with the Fuji 10-24mm zoom.

These images were taken in pretty much the same area of the city as my previous blog post. I have often said that what we should photograph is the effect changing weather has on a scene. Combining weather phenomena with a scene is what gives it a special quality that makes uniquely your own, and is also how some photographers can photograph the same scene over and over again but end up with a new picture each time. I sometimes use this type of repetitive effort as a way to hone my photographic skills. It forces me to create from my inner vision of what life is like at the given moment.

In this image taken at 10mm with the Fuji 10-24mm zoom I liked the way the warm glow of the crossing streets near the bottom echo the same color at the yellow light on top of the Empire State Building.


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